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THE ART OF THE NIGERIAN POPULAR LYRIC
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POWER, DOMINANCE AND RESISTANCE IN ESIABA IROBI’S NWOKEDI AND AKACHI ADIMORA-EZEIGBO’S HANDS THAT CRUSH STONE
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POWER, DOMINANCE AND RESISTANCE IN ESIABA IROBI’S NWOKEDI AND AKACHI ADIMORA-EZEIGBO’S HANDS THAT CRUSH STONE ISSUES
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PATRIARCHY IN ABUBAKAR ADAM IBRAHIM’S SEASON OF CRIMSON BLOSSOM AND KAINE AGARY’S YELLOW-YELLOW
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THE SIGNIFICANCE OF FOLKLORE IN CLEMENT ODIA'S VENOM OF VENGEANCE AND BEKEKELE
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THE VIRAL NATURE OF WESTERNIZATION ON AFRICANS IN THE POETRY OF OKOT P’BITEK
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CONFLICT IN WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH, NOT A REDEEMER
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QUEER CHARACTERS AS THE SUBALTERN OTHER IN UZODINMA IWEALA SPEAK NO EVIL
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THEMES AND STYLE IN ELNATHAN JOHN’S BORN ON A TUESDAY AND CHRIS ABANI’S GRACELAND
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A POST-COLONIAL READING OF CORRUPTION IN KEN SARO-WIWA’S A FOREST OF FLOWERS
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INTOLERANCE AND SOCIAL COLLAPSE IN CHIMAMANDA ADICHIE’S PURPLE HIBISCUS AND SEFI ATTA'S EVERYTHING GOOD WILL COME
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HOMOPHOBIA IN AKWAEKE EMEZI'S THE DEATH OF VIVEK OJI AND i UZODINMA IWEALA'S SPEAK NO EVIL
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EDO STATE POLYTECHNIC, USEN
Ferari Omorogbe Ph.D
The University of Benin
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