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ABSTRACT
In the pulsating world of Nigerian hype songs, humour reigns supreme, transforming music into a vehicle for both entertainment and social commentary. This concluding chapter revisits the rich tapestry of humour woven throughout "ElonMusk" by ShalliPopi and "Ameno" by Goya Menor. These songs stand as vibrant testaments to the enduring resonance of humour in Nigerian music, a force that bridges cultural divides and explores profound themes. While these songs are rightly positioned in the heart of many listeners, they contain linguistic properties that contribute to the aesthetic.
